SOCIAL MEDIA

Saturday, 30 April 2022

Part 3: Exercise - Girl Meets Boy

 Reference sketches:








I didn't plot out with post its in the end because it was easier to move things around in Procreate. I wanted to save more time to work on my assignment so chose to work this way.


First draft working out the panel sizes and shapes. I decided to change the second row to one long one as I realised I didn't need two there and could tell the story better without it.

Final layout sketch.


Colour test.



I wanted to keep this comic page spread fairly simple and pick up on the style and colouring from other exercises in this part of the course. I used my references from here: https://nikisillustration2degree.blogspot.com/2022/05/comic-and-graphic-novel-research.html to influence my decisions.

The plot for this spread is based loosely on the story of how my Husband and I came to meet and what happened afterwards before we got back together for good. I felt using my own personal story gave it more meaning and made it easier to plot the panels in a simpler way.

I chose to use ducks as the characters because I am very inspired by white ducks at the moment and wanted to draw them for practice so it made sense to use them for this story. Using animals to represent humans is a theme I keep coming back to, I love nature and want to bring this part of my personal voice into my degree work as much as I can.

Using my reference sketches, I photographed them and put them into Procreate and played with positioning, using my rough draft from my sketchbook as a guide. I was keeping in mind my influences from my comic and book research and wanted to use soft lines for the panels to go well with the soft colour palette.

I got as far as the colour test stage for this exercise and was really pleased with the direction it was going. I'm pleasantly surprised to find I really enjoy the process of comics and definitely want to do more of this. I stopped at the colour test stage to allow more time for the other exercises and assignment.

Thursday, 28 April 2022

Part 3: Research Point - Types of Comic Books

For this research task I combined it with my research for 'Girl Meets Boy' and assignment 3.

You can find this research here: https://nikisillustration2degree.blogspot.com/2022/05/comic-and-graphic-novel-research.html

Wednesday, 27 April 2022

Part 3: Research Point - Basic Elements of Story

 I didn't get to this research task in the end.

Tuesday, 26 April 2022

Part 3: Exercise - Once Upon a Time

 Researching black and white illustrations:


Variety of different styles, I like the linework and dotted ones.

Graphicmama.com. 2022. Amazing Black-and-White Illustrations that Don't Need Color to Impress | GraphicMama Blog. [online] Available at: <https://graphicmama.com/blog/black-and-white-illustrations/> [Accessed 2 May 2022].

Striking papercut style illustrations, quite disturbing but bold.

Popova, M., 2022. Artist Andrea Dezsö’s Enchanting Black-and-White Illustrations for the Little-Known Original Edition of the Brothers Grimm Fairy Tales. [online] The Marginalian. Available at: <https://www.themarginalian.org/2014/11/10/andrea-dezso-brothers-grimm-fairy-tales-interview/> [Accessed 2 May 2022].

Library.ivytech.edu. 2022. Ivy Tech Libraries: Children's Literature - Indianapolis - Fables, folk and fairy tales: Fable, Folk and Fairy Tale Titles. [online] Available at: <https://library.ivytech.edu/c.php?g=231279&p=1534896> [Accessed 3 May 2022].

My favourite childhood illustrator of black and white images: Jan Pienkowski - Christmas book

the Guardian. 2022. Jan Pieńkowski obituary. [online] Available at: <https://www.theguardian.com/artanddesign/2022/feb/20/jan-pienkowski-obituary> [Accessed 2 May 2022].

the Guardian. 2022. Jan Pienkowski, illustrator. [online] Available at: <https://www.theguardian.com/books/gallery/2008/dec/19/booksforchildrenandteenagers> [Accessed 2 May 2022].

My favourite adult illustrator of black and white: Rob Ryan

the Guardian. 2022. Rob Ryan: 'My art isn't very edgy, but I’m not that kind of artist'. [online] Available at: <https://www.theguardian.com/artanddesign/2015/jul/05/rob-ryan-my-art-isnt-edgy-yorkshire-sculpture-park> [Accessed 2 May 2022].


Narrowed it down to my favourite childhood stories.

  • The town mouse and the country mouse
  • Puss in boots
  • Three little pigs
  • Tortoise and the Hare.
  • Hansel and Gretal
  • Elves and the Shoemaker

I chose Hansel and Gretal because I love the gingerbread house and really wanted to illustrate that.

Initial sketchbook pages:






Age: 5 - 9
Trying silouette.



Made my own old paper from my photo of cartridge paper and then added colour and speckles in Procreate.



Line sketch in Procreate before details.
Adding more details.


Simple version with short story text.

Full page illustration to sit next to the story page on the left side.

Longer story version with illustration as a vignette above the story text.




Lipsum.com. 2022. Lorem Ipsum - All the facts - Lipsum generator. [online] Available at: <https://www.lipsum.com/feed/html> [Accessed 16 May 2022].



Reflections:
I found this exercise so much harder than I thought I would. Initially I was really excited to try these illustrations and especially to illustrate the gingerbread house. But I soon found trying to simplify the images and also to choose which elements to keep black and what to have white, I just really struggled to get my head around it. I wanted to add trees framing the gingerbread house, like you were looking through the trees in the woods to see the house in the clearing but I just couldn't get it to work how I wanted it to. 

I also found it really challenging knowing what age group these illustrations would suit. I based my inspiration on illustrations from Beatrix Potter and Joyce Lankaster Brisley and of course these were a different era and so illustrating that way then was good because it saved costs at the printers do to the high cost of ink. At the time they wanted people to be able to afford the books so they kept the colours minimal. Nowadays, most children's books are full of bright colour illustrations to grab their attention. I found this conflicting my decisions and just made the process harder for me. In the end I gave up with this exercise as I wanted to put more time into the others.



Monday, 25 April 2022

Part 3: Research Point - Linking Illustrations with Text

 The Town Mouse and the Country Mouse is one of my childhood favourite stories. This folk tale has been around for many years in various versions. It was part of Aesop Fables and some of my favourite versions are by 


Patricia Scarry (Author). Richard Scarry (Illustrator)

Helen Ward (Author and Illustrator)


Lorinda Bryan Cauley

This story has been illustrated by many different artists over the years in a range of styles and suitable for different age groups. Beatrix Potter re-told the story in her book 'Johnny Town mouse'.

It has also been re-told in different countries in different guises. eg. 'The Lean Cat and the Fat Cat' .

For me these illustrations are very heart warming and comforting. Most children were probably brought up hearing this folk story, so it is familiar and part of growing up. The story has a moral context, helping to shape the minds of it's readers and hearers, which is probably why it has been aimed at children.


References:

Gibbs, L., Gibbs, L. and profile, V., 2022. Bidpai: The Lean Cat and the Fat Cat. [online] Mythfolklore.blogspot.com. Available at: <http://mythfolklore.blogspot.com/2014/07/bidpai-lean-cat-and-fat-cat.html> [Accessed 14 May 2022].

Freebooksforkids.net. 2022. The Tale Of Johnny Town-mouse. By Beatrix Potter. [online] Available at: <http://www.freebooksforkids.net/johnny-town-mouse.html> [Accessed 14 May 2022].

Apps.lib.umich.edu. 2022. A Menagerie of Animal Tales | The Town Mouse and the Country Mouse · Online Exhibits. [online] Available at: <https://apps.lib.umich.edu/online-exhibits/exhibits/show/animaltales/mouse> [Accessed 14 May 2022].

En.wikipedia.org. 2022. The Town Mouse and the Country Mouse - Wikipedia. [online] Available at: <https://en.wikipedia.org/wiki/The_Town_Mouse_and_the_Country_Mouse> [Accessed 14 May 2022].


Saturday, 23 April 2022

Part 3: Research Point - Relationship Between Type & Image

 

For this research task I found a range of book covers on Amzon.co.uk and chose a mix of genres and age ranges.

This cover has the illustration in center, with the colours of the text used also in the illustration to tie them together. The title grabs attention with the light space around it and the red letters make a statement. Your eye then travels down to the illustration where you see the boys heads dipped in shame and sadness. The title is then elaborated on the the tag line under the illustration.


Written and illustrated for children, the Little Miss and Mr Men books all have simple white backgrounds, black text and colourful illustrations underneath. The titles are in large black lettering to help readers to know which character in the series the book is about. The author/illustrators name underneath in smaller handwriting feels very down to earth and friendly. The back covers show all the characters so you can see which ones to read next.

This cover is a great example of the text and image working together to pull your attention in a downwards motion to match the theme of the book. The sky and sunset is also part of the lettering with a black background the really emphasise the text. It is a dramatic cover, that grabs your attention, assuming an exciting and dramatic storyline, to entice the reader.

This cover uses the title to entwine with the illustration. At first your eye is drawn to the center of the illustration but the white title also grabs attention and as the letters get smaller your eye falls back to the illustration. It makes you feel like you are being swept into the adventure.

This cover is a clever use of explaining the plot within the cut out of the country it takes places in. The window in the background draws your eye in further. The text is almost a last thought as your eye is drawn into the illustration deeper with the different layers. The use of red helps to keep the importance of the title, making it still stand out against the bold illustration.

This cover draws you in with the title in the centre and the illustrations around it in a contrasting black. Important moments in history are the central focus as the black illustrations communicate seriousness. The background is like old paper, with dappled browns to look aged. It is an attention grabbing cover but in a totally different way to the others above.

This cover is more complex, I had to really look at all the little details. The first thing that grabs your eye are the lungs filled with flowers. They look like branches. I then notice the title but am still not clear what the book is about. As I look closer I see the two figures in the background separated by the letter of the title. The illustrator has used the colours in the illustration in the text also to tie it all together. It is a clever use of imagery, it is eye catching but isn't immediately clear what you are seeing at first.

This is a fun cover, under the sea with the title as part of the illustration and in a font that looks like it belongs in the sea. There is a sweeping motion of the sea life in both directions to carry your eye around the image. This works really well as both eye catching and explaining right away what the book is about.

Bold fonts, colours and a cartoon style look makes this book cover eye catching and tells you exactly what it is with first glance. Aimed at 6 year olds, it is immediately obvious what you are getting, which is important for children's books.

This is an adorable, interactive book cover. A simple background scene with fluffy parts for the clouds and pigs face. The face grabs your attention right away and I'm sure children and adults will want to immediately touch it. Your eye then goes to the title at the top. This is a really successful cover where the illustration/ textures dominate but the playfulness of the font for the title works together without being overpowering.

Lastly, this bright and colourful cover is very eye catching. I first notice the bold title but then go to the illustration below. This feels like the title and illustration belong together. The name of the orange panda is the same colour as the character and is linked as a panda by the panda's colour matching the rest of the title. With the foliage wrapping around the sides of the characters and the sun behind them you feel like you're seeing into the scene like you belong with them. This is a really playful cover and perfect for children.

It's interesting to look more closely at the different styles of covers and see how placement really matters when it comes to the title, author and illustration. Colour also plays a big role as does the font. I used to think that the titles were just added text to the illustration on book covers but this research task has helped me to understand how important it is that they are included creatively with the illustration and not just an after thought.

Friday, 22 April 2022

Part 3: Research Point - Kafka's Metamorphosis

 Researching illustrations based on Kafka's Metamorphosis, I found a range of very creative expressions of this narrative. I created a board on Pinterest to showcase the illustrations and film stills I found.


https://www.pinterest.co.uk/nikijacksonart/kafkas-metamorphosis/

There are many ways to illustrate the narrative of this book and I found myself drawn to the images that included either the shadow of Gregor or the shadow of the beetle that he is changed into. 

https://www.pinterest.co.uk/pin/699113542167611316/

Nidzgorski, P., 2022. this isn't happiness.. [online] this isn't happiness. Available at: <https://thisisnthappiness.com/post/3431412809/metamorphosis> [Accessed 20 April 2022].

I also really like the ink blot illustration by Götz Gramlich, quite a haunting image with the use of black ink depicting a hybrid of man and beetle.

https://www.pinterest.co.uk/pin/699113542167611341/

Gggrafik.de. 2022. gggrafik design - Metamorphosis. [online] Available at: <https://gggrafik.de/metamorphosis> [Accessed 20 April 2022].



Each of the illustrations I found depicted the narrative as very dark, creepy, threatening. A sense of being trapped, and of suffering. The door is placed far away from the bed, suggesting no escape. The beetle lays on it's back suggesting it is stuck and not in control. A bug found on it's back has little chance of surviving if it cannot turn itself over. Some of the illustrations zoom in on the bed, either showing the upper body of the beetle on its back looking hopeless or the shadow of the beetle about to consume Gregor.

The film directed by Chris Swanton in 2014, depicts a very dark, creepy atmosphere. The scenes are short, close ups of each element of the house, and glimpses of the beetle. Almost teasing the viewer of what's to come. A ticking clock, a crying woman. It was too creepy for me to watch the whole film but just by watching the trailer I could see that the director had honed in on creating an edge of your seat, creepy feel to the whole film, leading you in and showing glimpses of the ugly transformation.

The Independent. 2022. In The Shadow Of Kafka: David Baddiel explores The Metamorphosis for new BBC radio series. [online] Available at: <https://www.independent.co.uk/arts-entertainment/tv/features/in-the-shadow-of-kafka-david-baddiel-explores-the-metamorphosis-for-new-bbc-radio-series-10233524.html> [Accessed 20 April 2022].

The Royal Opera House :


Youtu.be. 2022. Kafka: Metamorphosis (Royal Opera House). [online] Available at: <https://youtu.be/4Y3izEP3o4Y> [Accessed 20 April 2022].

This scene from the Royal Opera House production of Kafka: Metamorphosis shows the horror of the family. They are trying to get a look at what is happening, trying to get inside the room. Meanwhile the transformation of taking place in a really horrifying way. The moves of the actor portraying the unfurling of the legs and the black flesh bleeding through onto his white skin. The family eventually get into the room and when they see what is happening to Gregor they scream, run over to on corner of the bedroom and then run away, leaving Gregor in this state and helpless. The music for this scene is high pitched and jumping, whilst the lighting keeps Gregor in the dark whilst light is on the family. As they enter the room they too get enveloped in the darkness. The camera focuses on their faces, close up as you see the fear in their eyes. At one point Gregor as the transforming beetle fills the frame and almost looks predatory towards them as they run past, he almost looks in desperation that they are leaving him. Now focused on the family, the camera follows them as they step backwards, one step at a time, faces full of fear and the light follows them out the other door away.


Thursday, 21 April 2022

Part 3: Exercise 1 - You Are What You Eat

 For this exercise I started by researching different proverbs, both English and Korean (because I am currently learning the Korean language but dismissed that idea because I don't understand the language and culture enough and might misinterpret it, so I decided to stick with English) 

I then narrowed it down to proverbs to do with nature because I am trying to work on bringing my personal voice more into my degree work. I am very inspired by nature, animals and cute things so I wanted to bring those together for this exercise.

Martin, G., 2022. A list of phrases about the natural world.. [online] Phrasefinder. Available at: <https://www.phrases.org.uk/meanings/nature-phrases.html> [Accessed 18 May 2022].

Culture Trip. 2022. 12 Proverbs That Will Make You Fall in Love with the Korean Language. [online] Available at: <https://theculturetrip.com/asia/south-korea/articles/12-proverbs-that-will-make-you-fall-in-love-with-the-korean-language/> [Accessed 18 May 2022].

Here is my short list:





A friend and I are hosting a Spring Creative Challenge on Instagram and so I wanted to try to          incorporate some of the prompts with the sketches for the proverb. I love drawing flowers and growing them so I was very inspired to focus on a floral theme. So I chose 'April Showers Bring May Flowers'.



Starting to doodle ideas.

I was thinking about what style to do these in, at first I was going to do full illustrations but looking ahead at the rest of part 3, I thought it would be fun to try a simple comic style.

At this point I did a lot of research into the comic styles I enjoy, I was already reading more comics and graphic novels to learn more about it and think about what styles I liked the best. This research was also relevant to the upcoming exercises so I have put it all on a separate post as there was too much to duplicate in each post.

         Following my discoveries in the above research I decided to play with a simple, comic book style for this proverb. This was a jumping off point to lead into the next exercises, so I didn't spend as long on this one.




I'm actually really pleased with how these turned out and it was fun to try a very simple comic style to see how they turned out. I used my favourite colours and added a kawaii, funny edge to it. Illustrating a proverb wasn't as easy as I thought it would be. I was very conflicted at the start as to how much detail to put in and whether to do full illustrations or something simpler. The comic research really helped me narrow down my decision and definitely influenced the end result.
Although I found this exercise difficult, I'd definitely like to try more comic style illustrations and develop my voice in this area.


Wednesday, 20 April 2022

Part 3: Research Point - William Hogarth

 



Comparing these two etchings by William Hogarth and looking at the symbolism and meaning behind them, it is clear to see that the author intends to liken the drinking of gin to death and destruction and the moderate consumption of beer as happiness, success, health and capability.

Looking at 'Gin Lane' I have circled the areas that seem to be portraying a sense of destruction in one way or another. You can see by the composition of the scene that the steps leading you into the city and the goings on there are leading you to into the destruction. The light is placed far away in the distance and the picture has a sense of darkness all around which gives a sense of foreboding and death. The people and children in this etching are either starving, completely drunk and unaware of themselves and their actions or dead. They are strewn across the steps, falling, fighting or laying down dead. On the left side of the picture there is an arrow pointing towards a building that is decaying at that very moment, with bricks falling to the ground from high level and parts of the building is missing and in disrepair. This is literally pointing to the consequences of drinking gin to excess and suggesting that continuing to drink gin will ultimately cause your death and the destruction of the Lane.

In contrast 'Beer Street' appears to be a respectable place, where people are joyful, well fed and capable. Crime is dealt with and the maintenance of the buildings are well kept. There doesn't appear to be any children in the picture perhaps suggesting that they are well and in school or being taken care of as opposed to in 'Gin Lane' where they are severely neglected. The arrow that features in 'Gin Lane' also appears in 'Beer Street' but this time it is on the right side of the image and is pointing down towards the well kept buildings and light. Light fills most of the picture suggesting that this street and it's people are happy, well looked after and wealthy, a complete contrast to 'Gin Lane' residents. There are people seated, tables and baskets, books and someone, perhaps royalty, being carried along in a carriage. The overall message in this etching is drinking beer responsibly won't ruin your life and will create a happy and well kept place to live and work.